Digital Storage Capture Chart	24P HD Cameras and time code	Aspect Ratio Conversions
HD On Set Flow Chart	HD Fact Sheet 101	The DP Stays In The Picture
HD 1st AC 101 Lesson Plan	HD Assistant Camera Checklist	The Use of Monitors in Digital Cinema Production
Rating your HD Cameras ASA	Film Financing Rule #1 - Be Prepared - by Marty Shindler	Varicam Projects List
24P Audio Advice per Wolf Seeberg	Audio & Video Assist Links per Wolf Seeberg	Tips for Working in HDV
Digitally Acquired Features & TV Drama 2006	Fletcher Camera Comparison Chart	RED Rollout 2007
Blue & GreenScreen Compositing Tips	Ten Reasons Film Will Never Die	Digital Cinema Camera Sensor Cleaning Tips
RED Rollout 2007	Data Rate Calulator	DVD & Bluray Disc Tips
Lit Pixels Explained	Format Coverage Comparison Chart	IR Contamination in Digital Cinematography
Li-Ion Battery Air Travel Restrictions

Tips for Working in an HDV Project

* HDV is highly compressed so consider converting this MPEG-2 stream to something else to improve editing or compositing quality during post.
* Make the choice between 1080i and 720P early on.
* Consider shooting in PAL and adjusting audio for 24P especially for conforming HDV to uncompressed HD.
* Get the right camera for the job.
* Consider using an adapter and a 35mm lens.
* Reduce MPEG-2 noise with an HD-SDI Converter and HDCAM Deck.
* Plan up front what will be needed in the finishing process.
* Shoot at high shutter speeds if you plan fast pans or tilts as MPEG compression does not lend itself to high quality at low shutter speeds.
* HDV audio is less forgiving than PCM audio, so pay close attention.

Courtesy of the Avid.com website